The festive period embodies a time for togetherness and absolution, where we graciously welcome loved ones, no matter the distance they have traveled or any past grievances we might harbor. What truly matters is our shared kinship.

In the December 31, 1864, issue of Harper’s Weekly, the renowned illustrator Thomas Nast sought to convey a similar message. As the Civil War approached its end, Nast departed from his customary depictions of wartime scenes and instead created a woodcut titled “The Union Christmas Dinner,” capturing the essence of the holiday season during the war’s fourth winter.

It depicts a large banquet in a luxurious hall, where the Union soldiers are having Christmas dinner. In the central illustration, Abraham Lincoln stands with an open door, extending an invitation to weary and famished Confederate soldiers to come in from the cold. Lincoln is shown gesturing the way towards the banquet as they enter.  The room is adorned with an abundance of food, beverages, and festive embellishments. Guests are gathered around the grand table, eagerly anticipating the commencement of the feast. Upon closer inspection of the unoccupied seats, one can discern the initials “S.C., Geo., Miss.,” symbolizing the southern states and their detachment from the Union. Lincoln’s gesture not only includes the Confederate soldiers in the joyous holiday revelry but also extends an olive branch, urging them to reunite with their family within the United States.

In all of the four corners of the print, there are small images that depict scenes from the Civil War, and one from a parable in the Bible. The scenes are labeled: “Victory Holding Out the Olive Branch to Submission”, “Unconditional Surrender”, “Lay Down Your Arms and You Will Be Welcome”, and “The Return of the Prodigal Son”. There is one more image in the lower center that shows a toast at a grand dinner where all the attendees are well-dressed and appear happy. 

As we celebrate this holiday season, it’s crucial to reflect on the timeless wisdom of Abraham Lincoln, who once famously declared, “with malice towards none and charity for all.” Through his intricate detailing, Nast effectively brought Lincoln’s words to life within the pages of “Harper’s Weekly.”

What particular element of this image resonates with you the most?